The harp turned to mourning.
This is disappointing and incongruous. The harp is not like the pipes used at Oriental funerals for lamentation. It is an instrument for joyous music. Yet Job's harp is turned to mourning.
I. MAN HAS A NATURAL FACULTY OF JOY. Job had his harp, or that in him of which the harp was symbolical. Some people are of a more melancholy disposition than others, but nobody is so constituted as to be incapable of experiencing gladness. We rightly regard settled melancholy as a form of insanity. Joy is not only our heritage; it is a needful thing. The joy of the Lord is our strength (Nehemiah 8:10).
II. THE SAD WERE ONCE JOYOUS. Job's harp is tuned to mourning. Then its use had to be perverted before it could be thought of as an instrument of lamentation. It was then put to a new, unwonted employment. This implies that it had been familiarly known as a joyous instrument. In sorrow we do not sufficiently consider how much gladness we have had in life, or, if we look back on the brighter scenes of the past, too often this is simply in order to contrast them with the present, and so to deepen our feeling of distress. But it would be more fair and grateful for us to view our lives in their entirety, and to recognize how much gladness they have contained as a ground for thankfulness to God.
III. LIFE IS MARKED BY ALTERNATIVE EXPERIENCES. Few lives are without a gleam of sunshine, and no lives are without some shadow of sorrow. The one form of experience passes over to the other—often with a shock of surprise. We are all too easily accustomed to settle down in the present form of experience, as though it were destined to be permanent. But the wisest course is to take the vicissitudes of life, not as unnatural convulsions, as revolutions against the order of nature; but, like the changing seasons, as occurring i, the ordered and regular course of events.
IV. IT IS POSSIBLE TO HAVE MUSIC IN SADNESS. Job does not describe himself as like those captives of Babylon who hung their harps upon the willows (Psalms 137:2). His harp is sounding still, but the music must agree with the feelings of the time, and gaiety must give place to plaintive notes. Therefore the tune is in a minor key. Still there is melody. The Book of Job, which deals largely with sorrow, is a poem—it is composed in musical language. Sorrow is a great inspiration of poetry. How much music would be lost if all the harmonies that have come from sad subjects were struck out! If, then, sorrow can inspire song and music, it is natural to conclude chat suitable song and music should console sorrow. Feeble souls wail in discordant despair, but strong souls harmonize their griefs with their whole nature; and though they may not perceive it at the time, when they reflect in after-days they hear the echo of a solemn music in the memory of their painful experience. When the angel of sorrow takes up the harp and sweeps the strings, strange, awful, thrilling notes sound forth, far richer and deeper than any that leap and dance at the touch of gladness. The Divine mystery of sorrow that gathers about the cross of Christ is not harsh, but musical with the sweetness of eternal love.—W.F.A.
Job 29
Job
Job 31
Job 30 - job-30 - worlddic.com