Bible Commentary

Exodus 15:1-18

The Pulpit Commentary on Exodus 15:1-18

The Pulpit Commentary · Joseph S. Exell and contributors · Public domain

The song of Moses a pattern thanksgiving.

There is nothing in the whole range of sacred or profane literature more fresh, more vigorous, more teeming with devotional thought than this wonderful poem. In rhythm it is grand and sonorous, in construction skilful and varied, in the quality of the thoughts lofty, in the mode of expression at once simple and sublime. Partly historic, partly prophetic, it describes the past with marvellous power, and gives with a few touches a glorious picture of the future. Throughout it breathes the warmest love of God, the deepest thankfulness to him, the strongest regard for his honour. We may well take it for our model when we have to thank God:—

I. FOR A TEMPORAL DELIVERANCE; and observe

(a) distinct and repeated enunciation of the deliverance itself, with expatiation on its circumstances;

(b) anticipation of further advantages to flow from the deliverance in the future;

(c) transition from the particular mercy to the consideration of God's power, greatness and goodness in the abstract; and

(d) glorification of God on all three accounts.

(a) beginning and ending with praise;

(b) intermixture of the praise with the grounds of praise;

(c) persistence and repetition, but with the introduction of new touches.

(a) poetic;

(b) discontinuous, or broken into stanzas;

(c) irregular.

Our thanksgivings for great national or even great personal deliverances may well, if our powers suffice, take a poetic shape. Poetry is more expressive than prose, more heart-stirring, more enthusiastic. It is also better remembered, and it is less diffuse.

II. FOR SPIRITUAL DELIVERANCE FROM THE EGYPT OF SIN. Each man's deliverance will have its own peculiar features, which he will do well to note and make special subjects of thankfulness, not sparing repetition, that he may present the matter to himself in various lights, and see all God's goodness in respect of it. Each deliverance will also lead naturally to prospective thoughts, extending beyond the wilderness of this life to the Canaan which is our inheritance. Each will profitably lead us to go beyond ourselves, and dwell for a while on the general attributes of God, whence proceed the mercies that we individually experience; and we shall do well to praise God on all these accounts. Manner and form are of less importance than matter, and admit of more variety without sensible loss; but even here "the song" furnishes a pattern on which it would be hard to improve. The grounds for preferring poetry to prose for such an outpouring of the heart as a thanksgiving have been already stated. The propriety of beginning and ending with praise is unquestionable. Repetition has a value as deepening impressions, and affording opportunity for remedying accidental coldness or inattention. In private devotion the actual repetition of the very same words has an occasional place, as we see by our Lord's example in the garden of Gethsemane (); but in a composition, phrases should be varied. Moses's song may well guide us as to the extent and character of such variation (e.g; , , and ).

The aid which devout women can reader to the Church.

There are religions which exclude women from consideration altogether, express a doubt whether they have souls, and assign them no special Church work. But Judaism did not make this mistake, it utilised the services of women—

I. AS PROPHETESSES. Miriam was a prophetess. So was Deborah, whose song is one of the most beautiful compositions in the Bible ( 5:2-31). So was Huldah, who delivered God's message to Hezekiah (). So was Anna (), whom the tradition makes the virgin's mother. God did not disdain to hold spiritual converse with women and enlighten them supernaturally; nor did the Israelites omit to take cognizance of the fact and give such persons their due honour.

II. AS NATIONAL DELIVERERS. Deborah "judged Israel" ( 4:4), and it was she, rather than Barak, who delivered the Israelites from Jabin ( 4:8, 4:14). Esther saved her people from the malice of Haman. Judith is said to have delivered them from Holofernes. Sex was no disqualification for high place among the Jews, any more titan among their neighbours, the Arabs. The queens of Judah obtain constant mention in Kings and Chronicles.

III. AS PARTICIPATORS IN RELIGIOUS CEREMONIALS. In the instance of Miriam we see how an important part of the thanksgiving service which Moses celebrated on the passage of the Red Sea was assigned to females. Apparently, on this occasion, half the chanting, and the whole of the instrumental music, was placed in their hands, Miriam acted as Choragus, or conductor, of the female chorus. Music is one of woman's commonest gifts; and, though not eminent as composers, as renderers of the music of others, they have a fame exceeding that of men. They can do much for the glory of God in contributing to, and even sometimes superintending, the musical services of the sanctuary. In the Christian Church, there has been, equally from the first, a recognition of the services that may be rendered to religion by women. The apostles, after the ascension of our Lord, "continued with one accord in prayer and supplication with the women, and Mary, the mother of Jesus" (). Phoebe, who conveyed to Rome St. Paul's Epistle to the Romans, was "a deaconess of the church that was at Cenchrea" (); and an Order of deaconesses was generally recognised in the primitive Church, and believed to have been instituted by the apostles (Apost. Const. ). In all periods some church work, in many very important church work, has been assigned to women, with great advantage both to themselves and to the community. Though St. Paul forbade their speaking in the Church (), and they thus cannot be ministers, subordinate employments of various kinds, suited to the nature of women, are everywhere open to them. The work of Sisters of Charity in various parts of tile world is above all praise. That of district visitors, teachers in Sunday schools, Scripture readers, etc; though less attracting the praise of men, is most valuable. Devout women, working under their ministers, can be the instruments of incalculable good, and so as much for the promotion of true religion as if they were men.

HOMILIES BY J. ORR

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commentaryMatthew Henry on Exodus 15:1-21This song is the most ancient we know of. It is a holy song, to the honour of God, to exalt his name, and celebrate his praise, and his only, not in the least to magnify any man. Holiness to the Lord is in every part of…Matthew HenrycommentaryTriumphant Song of the Israelites. (b. c. 1491.)TRIUMPHANT SONG OF THE ISRAELITES. (B. C. 1491.) Having read how that complete victory of Israel over the Egyptians was obtained, here we are told how it was celebrated; those that were to hold their peace while the del…Matthew HenrycommentaryThe Pulpit Commentary on Exodus 15:1-21One of the first songs in the Bible—the first Jewish song—we may almost call it the tap-root whence springs the main stem of Jewish psalmody. The art of poetry and instruments of music were no doubt brought from Egypt;…Joseph S. Exell and contributorscommentaryThe Pulpit Commentary on Exodus 15:1-21EXPOSITION THE SONG OF MOSES. Full of gratitude, joy, and happiness—burning with a desire to vent in devotional utterance of the most fitting kind, his intense and almost ecstatic feelings, Moses, who to his other extra…Joseph S. Exell and contributorscommentaryThe Pulpit Commentary on Exodus 15:1Then sang Moses and the children of Israel. It is in accordance with the general modesty of Moses, that he says nothing of the composition of the "song." No serious doubt of his authorship has ever been entertained; but…Joseph S. Exell and contributorscommentaryThe Pulpit Commentary on Exodus 15:1-21Song of Moses and the Lamb. "And they sing the song of Moses," etc. (Revelation 15:3). It is quite impossible to sever in thought the song by the sea, and the reference in the Book of the Revelation. We therefore take f…Joseph S. Exell and contributorscommentaryThe Pulpit Commentary on Exodus 15:1-19The song of triumph. The sense of Israel's obligation to Jehovah fully expressed. God, we have noticed, is lifted up in this song. We now proceed to observe how he is lifted up in the midst of his people, whom he encomp…Joseph S. Exell and contributorscommentaryThe Pulpit Commentary on Exodus 15:1-19The song of triumph-God exalted in the lips of the people. This song we may take as being in some measure the result and expression of the state of feeling mentioned in Exodus 14:31. People who feared Jehovah and believ…Joseph S. Exell and contributors